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ERWIN ORTIZ

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Categoría: MUSICA

2 Septiembre 2007

SLIPKNOT


SLIPKNOT

Members:
- Corey #8 - vocals
- Mick #7 - guitar
- Sid #0 - turntables
- Shawn #6 - custom percussion
- Paul #2 - bass
- Joey #1 - drums
- Chris #3 - custom percussion
- James #4 - guitar
- Craig #5 - samples/media



"What I want to know is can you watch something that can change you?" That is the question posed by Slipknot's M. Shawn Crahan, more commonly known as Clown. With one view of Slipknot's latest DVD, Voliminal: Inside The Nine, you will be shaken, jarred and have your attention arrested. And yes, to answer Crahan's question, you will be changed, because Slipknot are that type of band.

If any metal band has the power to educate, entertain and change lives, it's the nine-headed, hard rock enigma known as Slipknot. Since their formation in Des Moines, IA, in September 1995, the band has released three studio albums that have sold over five million copies in the U.S. Their latest studio record, Vol. 3: (The Subliminal Verses), released in 2004, debuted at #2 on the Billboard 200 album chart and has sold over 1.5 million copies in the U.S. to date, spawning the singles "Duality," "Vermillion" and "Before I Forget." In November 2005, the band released Slipknot 9.0: Live, a gold-certified, double-live album.

Before Crahan reconvened with his eight bandmates to start working on Vol. 3: (The Subliminal Verses), he was already laying the groundwork for this brutal slice-of-life double-DVD. Equal parts revealing documentary, stream-of-consciousness art film and live video, the discs take the band's fans (a.k.a. Maggots) deeper into the world of Slipknot than they've ever been before.

Created and directed by Crahan, Voliminal: Inside The Nine offers reams of raw, gonzo footage shot across the world from backstage, onstage, on the street, in the tour bus and in the studio, offering viewers a true bird's eye view of the band. It's as though you've been granted unlimited, unprecedented access to the band. Unlike hundreds of formulaic documentary DVDs, Voliminal: Inside The Nine is undiluted, uncompromising and in your face, revealing Slipknot in all their joyous misery, and all their ugly beauty. "For the last three years, I vowed to get to the center of what I know I'm a part of, which is one of the greatest bands in the world today," Crahan says.

The first disc, titled Voliminal, is a 80-minute film made up of rapidly edited scenes shot on handheld digital cameras, for 28 months during the making of Vol. 3: (The Subliminal Verses) and on "The Subliminal Verses" world tour. This is not a slick concert film with interspersed backstage footage. Nor is it a travelogue of fantastic sights and fabulous babes. This is survival in the belly of the beast. Crahan has assembled the shots into a dizzying cacophony of deafening sound and jarring imagery that's both challenging and impossible to ignore.

"My intent was to make you sick to your stomach," Crahan says. "It was said to me very early in my career that rock n' roll is 23 hours of hell and one hour of God," states Crahan. "I've always thought about that. So, this film is all that and more. It's seconds in the day. It's lightning responses to actions. It's that voice inside that shouts, 'I'm on top of the world, and I want to die because I'm so isolated and alone in a world that I never even thought existed, but rock n' roll has taken me here'.

Like the films of Harmony Korine, Voliminal juxtaposes seemingly unrelated ideas into a collage of disturbingly surreal reality. The result is a shocking, disorienting view of the thrill and terror of dangling on the precipice of the abyss. "It's vomit at its finest," explains Crahan. And that's a beautiful thing, in the world of Slipknot.

In addition to being savage and uncompromising, Voliminal is also a creative work of art. For one scene, a camera was fixed to drummer Joey Jordison's kit. When the drum riser rotates and flips upside-down, viewers experience every vertigo-inducing moment. Says Crahan, "I wanted you to be right there."

Since Voliminal was shot on handheld cameras, the audio is sometimes crackly and distorted, but that just adds to the cinema verité feel of the production. Take to the scene of bassist Paul Gray, which was shot at the front of the stage in a space so noisy, the band's playing sounds like mortar rounds detonating on a battlefield. "That's what I want you to hear because that's what he's going through," Crahan says. Ultimately, Voliminal will put the viewer and the fan at one with Slipknot.

Buried within the septic folds of the first Voliminal: Inside The Nine disc, are nine "rabbit holes" that viewers can access with their DVD remotes. Each "hole" will feature a short starring each member of the band.

The second disc of Voliminal: Inside The Nine features exclusive, in-depth interviews with each of the band members. The discussions cover 10 years of band history in unflinching candor. "The band is 10 years old and I felt that we needed to talk for real," Crahan says. "We're going into our places of choice, individually, and you're being invited all the way in. Hopefully you'll be able to stomach what is real."

In addition to personal band interviews, the second DVD will include bonus live footage taken from festivals and television performances from around the world and the music videos from Vol. 3: (The Subliminal Verses) - "Duality," "Vermilion," "Before I Forget," "The Nameless" and the controversial "Vermilion 2," which was never officially released. Fans will also get an up-close view of the "death masks" Slipknot use in concert.

Voliminal: Inside The Nine, in addition to vividly capturing the last three years of Slipknot, reminds viewers that the band has only scratched the surface of what it will accomplish during its career.

"I'm not worried about going anywhere because we're only getting better," Crahan explains. "We constantly remind all of you that we don't push the envelope because we are the envelope."

Tags: su, nuevo, dvd

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2 Septiembre 2007

MAX CAVALERACON SOULFLY

Band biography
Members:
- Max Cavalera - throat & guitar
- Marc Rizzo - guitar
- Bobby Burns - bass
- Joe Nunez - drums
Somewhere between where life's uncertainty and nature's fury collide, Dark Ages resides. Singer/guitarist Max Cavalera, conductor of the innovative metal mavens Soulfly and co-founder of the renowned band Sepultura, returns with Soulfly's heaviest, most flammable work to date. Dark Ages marries the band's aggressive driving force with disarming experimentation - Soulfly hallmarks that are as unpredictable as they are brave. Armed with the same core band as found on last year's Prophecy (guitarist Mark Rizzo, drummer Joe Nunez, bassists Bobby Burns and Dave Ellefson), Cavalera also continues the tradition of adding guests into the mix and blowing sonic boundaries out of existence.

The explosive raw quality of Dark Ages is palpable. While making the record, Cavalera lost his grandson Moses and also experienced the tragedy of longtime friend, Dimebag Darrell's death. "I think one of the reasons it's called Dark Ages is it's also somehow personal dark ages...at the end of December [2004] when we were making the record, with losing Moses and Dimebag, it was a very dark month - it was a dark way to end the year," says Cavalera. It's evident on the album. It's confrontational. It surprises. There's a battle brewing: with the chaos of loss, anger, and hate - like a dam about to break, jarringly juxtaposed against some unexpected spiritual moments. Heaviness meets nature - in all its beauty and brutality. It's precisely that uneasiness - walking that fine line – which Cavalera wanted to capture. "Nature on one hand is beautiful, peaceful on the other hand it's lethal and ruthless as we see in tsunamis and things like that . . . Soulfly records are a bit like that: one side of it is very peaceful, very positive, very spiritual. And the other side is very apocalyptic, dark, even self destructive...I embrace the extremes."

As with 3 and Prophecy, Cavalera served as producer of Dark Ages. And it was mixed by Terry Date (Deftones, Pantera, White Zombie). Traveling to five countries - Serbia, Turkey, Russia, France, and the U.S. (though not intentional, it's symbolic as this is Soulfly's fifth effort), Cavalera recorded native artists as well as employed some unusual recording techniques. Turkey was chosen because "Constantinople was the center of Christianity one thousand years ago and I found it to be really exotic," he says. "I wanted to add some flavor of that part of the world on an album called Dark Ages." It was in that historical country, inside the ancient temple Haggia Sophia, that the disconcerting, tinny metal echoes serving as the outro to the speedball-infused "Bleak" was recorded. "It's actually people working, they're banging metal on metal."

Cavalera's quest to add fresh vibes to his love of metal continues throughout Dark Ages. Though Cavalera stretches the boundaries and adds many world flavors, the results are always subtle, giving each song a sound that is distinctly Soulfly. Cavalera wouldn’t have it any other way. "It's unorthodox metal...I've been metal my whole life from when I started Sepultura, but it's a different kind of metal. I'm actually trying to create something new and trying to be a kind of scientist, like a metal scientist - fuse these things that normally would not fuse and see what happens when you combine them together. I love fast music, aggressive. I love metal, hardcore, and I love to combine them with other things. That's really my passion, making metal different somehow."

The cultural spice is accentuated by his decision to travel the world to capture the sounds within their own natural environments. While in Russia, the frantic "Molotov" begins with Russian lyrics. "In Russian it means 'Fuck the war, let's think about what's important'... It comes from the liberation of Russia after communism." S.O.D.'s Billy Milano makes a guest appearance as well on the song. Cavalera called Milano and said, "Do you mind singing over the phone and I just record it? . . . Even the distortion coming from his voice is actually from the phone."

Amid the darkness, there are also lyrics that inspire. A song entitled "Inner Spirit" is followed by "Corrosion Creeps." "Fuel The Hate" is flanked by "Stay Strong." There's conflict, a pulling between the spiritual and the turmoil. It challenges comfort levels, yet it can also be uplifting. Take the rhythmic rolling into full roar of "Inner Spirit," which blends the melodic vocal of Serbian artist Coyote, who also peppers the song with trombone into Cavalera’s screams. Likewise, hope comes in the form of "Stay Strong," which features meandering melodies within the urgent speed. "My son Richie sings on 'Stay Strong.' I'm really proud of him 'cause he sings his own lyrics and he's really singing his heart out for Moses and for his brother Dana."

A gifted maverick at charting new explorations, Cavelera gives a nod toward some musical influences he also enjoys in the industrial realm occupied by bands like Prodigy and his side project Nailbomb. With the explosive "Riotstarter" he brings all the cultural elements together with Brazilian, Middle-Eastern, and industrial rhythms making one intoxicating brew.

As is tradition for Soulfly, the album is bookended by a song that shares the name of the album along with a closing eponymous epic entitled "Soulfly V." In France, Brazilian French musician Stephan helps close the record with the peaceful and evocative "Soulfly V." Cavalera added the real sounds of rain and thunder to flavor the song. After all the ferociousness that makes up Dark Ages, it culminates in a sprawling, almost peaceful end. It's appropriate, Cavalera says. "[After] going through the bad and the good and the rough, but in the end into this spiritual cleansing...it's kind of like the calm after the storm."

Soulfly provokes. It's metal for the daring. Dark Ages assaults as much as it does redeem. As Cavalera contends when he approaches Soulfly songs and albums, "I think more about a landscape of a movie" - always creating a sonic journey. Never safe and always engaging, Soulfly delivers another compelling album. Dark Ages is fierce and unrelenting, heavy and foreboding. Yet within the darkest depths, beauty exists.

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Sobre mí

MI NOMBRE ES ERWIN ORTIZ, TENGO 22 AÑOS VIVO EN BOGOTA COLOMBIA,ME GUSTA EL NEO METAL, INDUSTRIAL, Y DEMAS.....TALES COMO MUDVAYNE,ILL NIÑO, SLIPKNOT, KORN,DISTURBED, ENTRE OTROS.

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